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Armen Dzhigarkhanjan: "for me has always been and remains the home theater."

October 3 2005

Today marks 70 years of People's most popular artists Armen Dzhigarhanyanu. From 70 years of living lives of 50 Dzhigarkhanjan dedicated acting profession.

In the asset Armen Borisovich, dozens of prime television and radio, more than two hundred film roles, among them, by the way, the actor still can not name a favorite. Says: "What if she is still ahead."

Dzhigarkhanjan was born in Yerevan, in Russian-speaking Armenian family. His father, he did not know: when the son was two or three months, his father left the family, and Armenia for the first time he saw his father at the age of sixteen. Armen brought up by his stepfather - a wise and good man.

Love of the theater, if you search for some ancestral roots in Armen from his mother, Helen Vasilevny. She was inveterate teatralkoy and never missed a single drama or opera. From his early years was led into the theater and Armen. Theatre and football - two attachments at Armen preserved for life.

On the acting profession Dzhigarkhanjan dreamed since childhood. In 1953, after finishing school, he went to Moscow do GITIS, but it was limited to the interview - not like a strong accent. Armen left, and a year spent in his native city electrician at the studio, and the following year he entered the Yerevan Theatre and Art Institute in his native Armenia.

Armen work in the theater had already started in the first year, it took in performances of Russian Theatre. Stanislavsky Ivan Rybakov. The role was only four words, but they will remember for a lifetime, because it was the first appearance on the stage in his life.

Dzhigarkhanyan later admitted to Yerevan State Russian Theatre, where the novice actor is no shortage of roles - from comedy to tragedy and Distinguishing from the episodic to the main, from modern to classical. Dzhigarhanyanu even lucky enough to play with Alexei Gribov in the play "The Lower Depths."

In the Russian theater of Armen B. worked for thirteen years.
In 1967 Dzhigarkhanjan from Yerevan moved to Moscow and began working in the theater of the Lenin Young Communist League, from Anatoly Efros. Efros, introduced him at once in three plays - "The Trial Chronicle," is shooting a film "and" Moliere. " Then there was the role Kartseva in the 104 pages about love, "Basargina - in" Smoke of the Fatherland. " Dzhigarkhanjan leaves Lenkoma within six months after the leadership was ousted A. Efros.

Soon the actor has agreed to offer artistic director of Theater. Mayakovsky Goncharov, and in 1969 joined the troupe, where he worked until 1996.

As for work in film, the ticket to the big screen came to Dzhigarkhanyan film "Hello, it's me."

Next actor removed simply with an enviable constancy, he was invited to several paintings simultaneously. Still, the most prolific time for star role Dzhigarkhanyan steel seventies - "Crown of Russian Empire, or again the elusive", "Hello, I'm your aunt," "Dog the Manger, "" The venue can not be changed. " As for the latter film, the numerous questions about the reasons for the incredible success of paintings from the audience Dzhigarkhanjan conforms to the following: "come together once a lot of factors: good literature - brothers Weiner, director Govorukhin, a company of actors was a compelling - and something happened."

If we talk about respect Dzhigarkhanyan to the cinema in general, he says: "I love the cinema for a new, unexpected, for the joy of human interaction with wonderful partners, but for me has always been and remains the home theater."

p align = "justify"> In late 1990, Armen B. decided to create one of his students in VGIGe theater. Thus was born and now live the Moscow Drama Theatre under the direction of Armen Dzhigarkhanyan. In addition, Dzhigarkhanjan busy antrepriznyh performances.

An exclusive interview with Armen Dzhigarhanyanu read here .

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